It is the season to relax on the couch and devour a box of holiday pastries in front of a terrific flick, a poor film, or one that’s awesomely awful.
As always, a selection of fresh holiday movies hopes to be part of our holiday traditions—potentially even finding a spot alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).
Therefore, in a noble effort to separate the winners from the losers, and to embrace the Christmas spirit, I watched as many fresh holiday releases as possible in a single day.
Beginning, hopefully, on a high. This is the sole 2025 title on a well-known aggregator's list of the best 100 festive features of all time.
The Jonas Brothers end up trapped in the UK after wrapping up their world tour and must make it back for Christmas. Their endeavors are hindered by an villainous Saint Nick, who sings to announce they won’t get home until they “rekindle their familial spark.”
The repartee between the arguing trio is enjoyable even for the non-fan, while fans will undoubtedly pick up on lots of references as they attempt to get back using any means of transport necessary.
It’s a journey of epic proportions.
It’s not legendary, but is superb for devotees and a solid start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who will have to sit through it.
Famous performer Kiefer Sutherland has been cast as a movie actor roped into a traditional British stage show.
“A panto-what??” asks Sutherland’s “temperamental” and ageing lead Brad Mack, who has seen better days and whose representative has misled him into thinking he’s appearing in high-class London stage.
His pantomime co-stars inform him he’s playing Buttons. “Absolutely not,” he retorts. You can guess their response. Unless you’re not acquainted with traditional panto catchphrases.
There are some great jokes, some heartwarming sub-plots, and the rest of the cast is cracking, too.
It’s the type of film that would be a bit tacky at a different time, but is a highly enjoyable at Christmas.
Holiday verdict: 🎄🎄🎄🎄
Danny Dyer appears at the outset of this film, too, insulting someone for the next movie straight. Is this a budding festive ritual?
This time, he’s a musical taxi operator who picks up Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by an actor from Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The familiar story develops as the tight-fisted Mr Sood is confronted by the apparitions of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This cultural adaptation is at least distinct from all the others, but regrettably he’s not very compelling and Nayyar’s acting is wooden—a significant issue when he’s so the main character.
Festive score: 🎄🎄
There’s time for a network's original festive film—which stars Guz Khan as a endearingly grumpy man who “avoids Christmas.”
But after he receives an large festive windfall at work, his wife (starring Morgana Robinson) convinces him splurging the cash on a family trip to Lapland.
There’s just one problem—he learns there was an mistake with his bonus, which should have been £800, and he has to figure out how to return the excess.
Pleasant yet unmemorable.
Holiday verdict: 🎄🎄
This is one of those holiday movies where the tree, fairy lights and snow are in the background—Christmas is the setting of the film rather than its raison d’etre—but it feels comfortable and seasonal all the same.
Driven corporate star Sydney (starring Minka Kelly) is assigned to a French chateau to negotiate a purchase for a champagne business. During her travels, she meets a man in a bookshop who vows to show her the holidays in the City of Light.
An expert recently declared this is the finest new Christmas film of the last several seasons. That’s a bit of a overstatement, but it is a holiday love story with a dash of elegance and gives the obligatory heartwarming sensation.
The scene with a extended debate about Die Hard is very good too.
Christmas tree rating: 🎄🎄🎄
Sixteen-year-old Chris, played by Lenny Rush, refuses to stop believing in Father Christmas, regardless of the efforts of his dad (starring James Buckley) to tell him otherwise.
The truth is out there, and Chris embarks on a quest to find it with the expert help of a group of well-known scientists and personalities.
It’s gentle but sweet, and perfect viewing while anticipating Santa to visit.
Festive score: 🎄🎄🎄
Michelle Pfeiffer is the mother of a bickering American family who gather for the holidays—including fellow acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer begins by referencing holiday staples like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the unsung heroes of the holidays—moms.”
So that’s the concept, but in practice it’s really a combination of those forerunner films, at least until Pfeiffer’s character at last finds her strength.
Christmas tree rating: 🎄🎄
The day’s taken a dip, but thankfully here’s a new entry in the crowded field of formulaic, schmaltzy, badly acted—and highly entertaining—festive fodder.
It’s a story as well-worn: An American woman travels to a far-off wintery locale and ends up stumbling across romance.
In this case, Caprice Bourret plays a publisher
Elara is a mindfulness coach and writer passionate about helping others find balance and purpose through practical life advice.